b. Hong Kong 1950

d. New York 1990



Tseng Kwong Chi (born 1950, Hong Kong; died 1990, New York) is internationally known for his photographic series Expeditionary Self-Portrait Series a.k.a. East Meets West. In over 100 images, he poses in front of iconic architecture and sublime nature as his invented artistic persona, a Chinese “Ambiguous Ambassador” in the classic Mao suit. “A cross between Ansel Adams and Cindy Sherman,” the work explores tourist photography in a playful juxtaposition of truth, fiction, and identity.

Tseng was an important documentarian and denizen of the downtown 1980’s New York club and art scene. During his brief but prolific 10-year career, he created over 100,000 vibrant color and black-and-white photographs of his contemporaries Keith Haring, Andy Warhol, Julian Schnabel, Jean-Michel Basquiat, McDermott and McGough, Kenny Scharf, Philip Taaffe, Madonna, Grace Jones, the B-52’s, and Fab Five Freddy, among others, a rich historical archive of the decade.

In 1990, Tseng died at age 39 from complications related to AIDS, leaving an enduring body of work that engages major photographic traditions — the tourist snapshot, portraiture, the Sublime tradition of landscape photography, documentary and performance. Tseng’s photographs have been exhibited widely in international exhibitions and are in numerous major public museums and private collections.


How a Queer Asian Artist Infiltrated the New York Scene Through Dress-Up and Self-Portraiture, Hyperallergic, 2015

Review: Tseng Kwong Chi’s Darkly Comic Images at Grey Art Gallery, The New York Times, 2015